{"id":1070,"date":"2025-02-22T18:09:28","date_gmt":"2025-02-22T18:09:28","guid":{"rendered":"https:\/\/overturemagazine.it\/?p=1070"},"modified":"2025-02-22T18:09:37","modified_gmt":"2025-02-22T18:09:37","slug":"il-cinema-di-denuncia-e-larte-della-regia","status":"publish","type":"post","link":"https:\/\/overturemagazine.it\/eng\/il-cinema-di-denuncia-e-larte-della-regia\/","title":{"rendered":"The Cinema of Denunciation and the Art of Directing"},"content":{"rendered":"

Francesco Rosi, a point of reference for internationally renowned filmmakers such as Martin Scorsese and Paolo Sorrentino, continues to have a fundamental impact on the Italian artistic panorama, remaining one of the most authoritative figures in world cinema.<\/p>\n\n\n\n

\u201cI was born on November 15, 1922, on a top floor full of light, where my mother's family lived, in the Montecalvario district, a few steps from the Teatro Nuovo.\u201d This is how he remembers his birth in Naples, where as a boy he frequented Raffaele La Capria and then, during his university years, Giorgio Napolitano, Giuseppe Patroni Griffi, Antonio Ghirelli, Maurizio Barendson, a group of young people who would animate many sectors of our country's life, from politics to journalism, from cinema to theater.<\/p>\n\n\n\n

His career began with the theater in 1947 when Ettore Giannini wanted him as an assistant for \u201cIl voto\u201d by Salvatore Di Giacomo, with actors such as Salvo Randone and Sarah Ferrati. In October he replaced his friend Achille Millo as an assistant, together with Franco Zeffirelli, for \u201cLa terra trema\u201d that Luchino Visconti shot in Sicily. Thus began his adventure in the world of cinema, as he will call it in the autobiography written with Giuseppe Tornatore.<\/p>\n\n\n\n

In the 1950s, Rosi collaborated with Luciano Emmer, Raffaello Matarazzo, Luigi Zampa and Michelangelo Antonioni, in a period that marked one of the highest moments of Italian film art. In 1958 he made his directorial debut with \u201cLa sfida\u201d, a special jury prize at the Venice Film Festival, a hard film that tells the story of the transition of an Italy from peasant to industrial, marked by mafia power.<\/p>\n\n\n\n

With \u201cLe mani sulla citt\u00e0\u201d (1963), Golden Lion at the Venice Film Festival, Rosi denounces the political and urban corruption of Naples. His films, from \u201cSalvatore Giuliano\u201d to \u201cTre fratelli\u201d (Oscar nomination in 1982), up to \u201cLa tregua\u201d, explore the human condition in the face of power.<\/p>\n\n\n\n

His cinema is a rigorous lesson in method, characterized by a critical and profoundly human style, permeated by ethical tension. The critic Michel Ciment writes: \u201cRosi hunts for lies, he digs them out everywhere, he reveals the deceptive appearances of a world that acts in the shadows.\u201d<\/p>\n\n\n\n

One of his most significant films is \u201cIl caso Mattei\u201d (1972), in which he tackles the mystery of the death of Enrico Mattei, president of ENI. Rosi uses cinema as a powerful tool of investigation, immersing himself in the plots of power and corruption that marked the story.<\/p>\n\n\n\n

Rosi rejects the label of \u201cpolitical cinema,\u201d emphasizing that his films are artistic works that transcend time and space. His collaborators include screenwriters such as Tonino Guerra, Suso Cecchi d'Amico, Franco Solinas, and directors of photography such as Gianni Di Venanzo and Pasqualino De Santis. His works are enriched by the music of Gianni Ferrio, Piero Piccioni, Luis Enriquez Bacalov and Ennio Morricone, as well as by the performances of extraordinary actors such as Gian Maria Volont\u00e9, Philippe Noiret, John Turturro, Lea Massari, Irene Papas, Sophia Loren.<\/p>\n\n\n\n

Francesco Rosi has always asked the spectator to be active, to reflect, to be indignant and to feel like a citizen. In 2003 he returned to the theater with \u201cNapoli milionaria!\u201d by Eduardo De Filippo, a great text that, together with \u201cUomini contro\u201d and \u201cLa tregua\u201d, highlights his determination against any form of war. His daughter Carolina writes: \u201cLa tregua is a warning: the unheard-of violence that erases human dignity is always lurking.\u201d<\/p>\n\n\n\n

In 2025, the tenth anniversary of his death will be remembered. Francesco Rosi passed away in his Roman home on January 10, 2015. In his diaries, published in 2022 for the centenary of his birth, he wrote: \u201cA film sees, documents, denounces, imagines, tells. To do this, it thinks.\u201d<\/p>\n\n\n\n

TIMELESS MASTERPIECES OF PROTEST AND CIVIC ENGAGEMENT<\/p>\n\n\n\n

Among his masterpieces, we find:<\/p>\n\n\n\n

    \n
  1. Salvatore Giuliano (1962)<\/strong> \u2013 It tells the story of the Portella della Ginestra massacre on May 1, 1947, investigating the links between crime, politics, and justice.<\/li>\n\n\n\n
  2. Hands on the City (1963)<\/strong> \u2013 A scathing analysis of political corruption in Naples through the story of a builder and city councilor.<\/li>\n\n\n\n
  3. The Mattei Case (1972)<\/strong> \u2013 Investigates the mysterious death of Enrico Mattei, describing his attempt to challenge the oil multinationals.<\/li>\n\n\n\n
  4. Excellent Corpses (1976)<\/strong> \u2013 Taken from \u201cIl contesto\u201d by Leonardo Sciascia, it is a reflection on political manipulation and the impunity of the powerful.<\/li>\n\n\n\n
  5. Christ Stopped at Eboli (1979)<\/strong> \u2013 Based on the book by Carlo Levi, it tells the story of the anti-fascist author's exile in Lucania.<\/li>\n\n\n\n
  6. Forget Palermo (1990)<\/strong> \u2013 It addresses the problem of drug trafficking and the legalization of drugs, continuing the discussion already begun in \u201cLucky Luciano\u201d.<\/li>\n\n\n\n
  7. The Truce (1997)<\/strong> \u2013 Based on the book by Primo Levi, it narrates the return home of the survivors of Auschwitz, describing a physical and moral odyssey in devastated Europe.<\/li>\n<\/ol>\n\n\n\n

    Francesco Rosi, intellectual, artist and filmmaker, continues to be an inspiration for those who see cinema as a tool for critical reflection. His ability to explore reality, his clear vision and his passion for justice are his most current legacy.<\/p>","protected":false},"excerpt":{"rendered":"

    Francesco Rosi, punto di riferimento per cineasti di fama internazionale come Martin Scorsese e Paolo Sorrentino, continua ad avere un […]<\/p>\n","protected":false},"author":1,"featured_media":1071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artscultures"],"yoast_head":"\nIl Cinema di Denuncia e L\u2019arte Della Regia - 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