{"id":2980,"date":"2025-11-10T15:18:31","date_gmt":"2025-11-10T15:18:31","guid":{"rendered":"https:\/\/overturemagazine.it\/?p=2980"},"modified":"2026-02-04T14:41:48","modified_gmt":"2026-02-04T14:41:48","slug":"vacheron-constantin-traditionnelle-il-tempo-come-opera-darte","status":"publish","type":"post","link":"https:\/\/overturemagazine.it\/eng\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/","title":{"rendered":"Vacheron Constantin Traditionnelle: Time as a work of art"},"content":{"rendered":"

There is a moment, in the silence of a Geneva workshop, when time seems to stand still. It is the instant when the hands of a master watchmaker complete the assembly of a Vacheron Constantin Traditionnelle, and the beating of its mechanical heart comes to life. It is not just a watch: it is the encounter between the mathematics of precision and the poetry of form, between tradition and the desire for the absolute.<\/em><\/strong><\/p>\n\n\n\n

Founded in 1755, Vacheron Constantin<\/strong> It is the oldest watchmaking manufacture in the world to have maintained uninterrupted production. For nearly three centuries, each of its timepieces has been tangible proof that time can be not only measured, but interpreted, sculpted, and made eternal. The Traditionnelle embodies this quintessential essence: it is the bridge between the past and the future, a masterpiece that demonstrates the Maison's loyalty to its historic motto, "Faire mieux si possible, ce qui est toujours possible"\u2014doing better, if possible, is always possible. <\/p>\n\n\n\n

AN AESTHETIC THAT CELEBRATES PURITY<\/strong> The lines of the Traditionnelle do not yield to fashion, but are inscribed in the perfection of classical geometry. The round case, available in platinum, rose gold, or 18-karat white gold, is distinguished by its thin lugs and mirror-polished bezels. The sapphire crystal caseback reveals a finely decorated movement, with hand-angled bridges, c\u00f4tes de Gen\u00e8ve<\/strong>, circular graining, and mirror-like polishing testify to a maniacal dedication to invisible detail. The dial, often silvered opaline or guilloch\u00e9, plays with the light in a dance of subtle reflections. The dauphine hands and applied indexes seem suspended, immersed in a silence that invites slow observation and contemplation. It is a watch that seeks not to amaze with complexity, but with coherence; it seeks not to appear, but to exist. <\/p>\n\n\n\n

THE SOUL OF TIME: MOVEMENT <\/strong>Everything is fine Traditionnelle<\/strong> It contains a heart entirely made in-house: from the very high precision manual calibers such as the Caliber 4400 AS<\/strong>, to the ultra-thin automatic movements of the 2455 series or to the more complex tourbillons and monopusher chronographs. All the movements in the collection meet the rigorous criteria of the Poin\u00e7on de Gen\u00e8ve<\/strong>, one of the most stringent certifications in the world, guaranteeing not only technical excellence but also aesthetic and artisanal perfection. Every single screw, every decoration, every hand-chamfered edge reflects an obsession with hidden beauty: the kind that can only be perceived by touching, observing closely, and allowing the regular rhythm of a balance wheel beating at 28,800 vibrations per hour to pass through you\u2014the discreet beat of mastery.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

A SYMBOL OF CULTURE AND DISTINCTION<\/strong> The Traditionnelle is not a watch for those who want to show off, but for those who desire to belong. It has been chosen over time by statesmen, artists, collectors, and philosophers of taste, by those who recognize silence as the true form of power. On the wrist, it conveys a presence that needs no voice: it speaks of culture, of discipline, of a form of luxury measured in discretion. Each model, from the simple time-only model to the perpetual calendar and moon phase models, is a chapter in a larger story\u2014that of Genevan watchmaking as a total art. And in every version, the same philosophy is found: balance, proportion, harmony.<\/p>\n\n\n\n

THE LUXURY OF TIME FOUND<\/strong> Owning a Traditionnelle means participating in a story that transcends the mere measurement of hours. It's a cultural, almost spiritual gesture: choosing conscious slowness in a world that devours minutes. It means accepting that true beauty is never obvious, but reveals itself only to those who wait.
The Traditionnelle is therefore more than a timepiece: it is an object of contemplation, a silent companion that invites us to pause, breathe, and reconnect with the original rhythm of existence. Its every tick is a reminder that time is not an enemy, but a language. And that only a few, even today, know how to read it with grace. In an age dominated by the instantaneous and the ephemeral, Vacheron Constantin remains faithful to the idea that time, when treated with respect, can become eternal art.
Because Traditionnelle doesn't follow time. It creates it, sculpts it, elevates it.<\/em><\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

C\u2019\u00c8 UN MOMENTO, NEL SILENZIO DI UN ATELIER DI GINEVRA, IN CUI IL TEMPO SEMBRA FERMARSI. \u00c8 L\u2019ISTANTE IN CUI […]<\/p>\n","protected":false},"author":3,"featured_media":3085,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[20,1],"tags":[],"class_list":["post-2980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-icons","category-uncategorized"],"yoast_head":"\nVacheron Constantin Traditionnelle: Il tempo come opera d'arte - Overture Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/overturemagazine.it\/eng\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vacheron Constantin Traditionnelle: Il tempo come opera d'arte - Overture Magazine\" \/>\n<meta property=\"og:description\" content=\"C\u2019\u00c8 UN MOMENTO, NEL SILENZIO DI UN ATELIER DI GINEVRA, IN CUI IL TEMPO SEMBRA FERMARSI. \u00c8 L\u2019ISTANTE IN CUI […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/overturemagazine.it\/eng\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/\" \/>\n<meta property=\"og:site_name\" content=\"Overture Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2025-11-10T15:18:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-04T14:41:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/overturemagazine.it\/wp-content\/uploads\/2025\/11\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1924\" \/>\n\t<meta property=\"og:image:height\" content=\"1050\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Pietro Lucii\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pietro Lucii\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/\"},\"author\":{\"name\":\"Pietro Lucii\",\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/#\\\/schema\\\/person\\\/3a61d25d0306b9ba8b4cc665940eb209\"},\"headline\":\"Vacheron Constantin Traditionnelle: Il tempo come opera d’arte\",\"datePublished\":\"2025-11-10T15:18:31+00:00\",\"dateModified\":\"2026-02-04T14:41:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/\"},\"wordCount\":667,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/overturemagazine.it\\\/wp-content\\\/uploads\\\/2025\\\/11\\\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg\",\"articleSection\":[\"ICONS\",\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/\",\"url\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/\",\"name\":\"Vacheron Constantin Traditionnelle: Il tempo come opera d'arte - Overture Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/overturemagazine.it\\\/wp-content\\\/uploads\\\/2025\\\/11\\\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg\",\"datePublished\":\"2025-11-10T15:18:31+00:00\",\"dateModified\":\"2026-02-04T14:41:48+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/#\\\/schema\\\/person\\\/3a61d25d0306b9ba8b4cc665940eb209\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#primaryimage\",\"url\":\"https:\\\/\\\/overturemagazine.it\\\/wp-content\\\/uploads\\\/2025\\\/11\\\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg\",\"contentUrl\":\"https:\\\/\\\/overturemagazine.it\\\/wp-content\\\/uploads\\\/2025\\\/11\\\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg\",\"width\":1924,\"height\":1050},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/overturemagazine.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vacheron Constantin Traditionnelle: Il tempo come opera d’arte\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/#website\",\"url\":\"https:\\\/\\\/overturemagazine.it\\\/\",\"name\":\"Overture Magazine\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/overturemagazine.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/overturemagazine.it\\\/#\\\/schema\\\/person\\\/3a61d25d0306b9ba8b4cc665940eb209\",\"name\":\"Pietro Lucii\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g\",\"caption\":\"Pietro Lucii\"},\"url\":\"https:\\\/\\\/overturemagazine.it\\\/eng\\\/author\\\/pietro-lucii\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Vacheron Constantin Traditionnelle: Il tempo come opera d'arte - Overture Magazine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/overturemagazine.it\/eng\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/","og_locale":"en_GB","og_type":"article","og_title":"Vacheron Constantin Traditionnelle: Il tempo come opera d'arte - Overture Magazine","og_description":"C\u2019\u00c8 UN MOMENTO, NEL SILENZIO DI UN ATELIER DI GINEVRA, IN CUI IL TEMPO SEMBRA FERMARSI. \u00c8 L\u2019ISTANTE IN CUI […]","og_url":"https:\/\/overturemagazine.it\/eng\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/","og_site_name":"Overture Magazine","article_published_time":"2025-11-10T15:18:31+00:00","article_modified_time":"2026-02-04T14:41:48+00:00","og_image":[{"width":1924,"height":1050,"url":"https:\/\/overturemagazine.it\/wp-content\/uploads\/2025\/11\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg","type":"image\/jpeg"}],"author":"Pietro Lucii","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Pietro Lucii","Estimated reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#article","isPartOf":{"@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/"},"author":{"name":"Pietro Lucii","@id":"https:\/\/overturemagazine.it\/#\/schema\/person\/3a61d25d0306b9ba8b4cc665940eb209"},"headline":"Vacheron Constantin Traditionnelle: Il tempo come opera d’arte","datePublished":"2025-11-10T15:18:31+00:00","dateModified":"2026-02-04T14:41:48+00:00","mainEntityOfPage":{"@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/"},"wordCount":667,"commentCount":0,"image":{"@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#primaryimage"},"thumbnailUrl":"https:\/\/overturemagazine.it\/wp-content\/uploads\/2025\/11\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg","articleSection":["ICONS","Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/","url":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/","name":"Vacheron Constantin Traditionnelle: Il tempo come opera d'arte - Overture Magazine","isPartOf":{"@id":"https:\/\/overturemagazine.it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#primaryimage"},"image":{"@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#primaryimage"},"thumbnailUrl":"https:\/\/overturemagazine.it\/wp-content\/uploads\/2025\/11\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg","datePublished":"2025-11-10T15:18:31+00:00","dateModified":"2026-02-04T14:41:48+00:00","author":{"@id":"https:\/\/overturemagazine.it\/#\/schema\/person\/3a61d25d0306b9ba8b4cc665940eb209"},"breadcrumb":{"@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#primaryimage","url":"https:\/\/overturemagazine.it\/wp-content\/uploads\/2025\/11\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg","contentUrl":"https:\/\/overturemagazine.it\/wp-content\/uploads\/2025\/11\/VAC_Traditionnelle_82172-000R-H118_StillLife_01_70965015-scaled-e1762963476143.jpg","width":1924,"height":1050},{"@type":"BreadcrumbList","@id":"https:\/\/overturemagazine.it\/vacheron-constantin-traditionnelle-il-tempo-come-opera-darte\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/overturemagazine.it\/"},{"@type":"ListItem","position":2,"name":"Vacheron Constantin Traditionnelle: Il tempo come opera d’arte"}]},{"@type":"WebSite","@id":"https:\/\/overturemagazine.it\/#website","url":"https:\/\/overturemagazine.it\/","name":"Overture Magazine","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/overturemagazine.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Person","@id":"https:\/\/overturemagazine.it\/#\/schema\/person\/3a61d25d0306b9ba8b4cc665940eb209","name":"Peter Lucii","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g","caption":"Pietro Lucii"},"url":"https:\/\/overturemagazine.it\/eng\/author\/pietro-lucii\/"}]}},"_links":{"self":[{"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/posts\/2980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/comments?post=2980"}],"version-history":[{"count":3,"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/posts\/2980\/revisions"}],"predecessor-version":[{"id":3091,"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/posts\/2980\/revisions\/3091"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/media\/3085"}],"wp:attachment":[{"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/media?parent=2980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/categories?post=2980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/overturemagazine.it\/eng\/wp-json\/wp\/v2\/tags?post=2980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}