{"id":4325,"date":"2026-10-12T12:09:34","date_gmt":"2026-10-12T12:09:34","guid":{"rendered":"https:\/\/overturemagazine.it\/?p=4325"},"modified":"2026-10-13T12:44:22","modified_gmt":"2026-10-13T12:44:22","slug":"arnfinn-johansen-tra-la-neve-e-la-savana","status":"publish","type":"post","link":"https:\/\/overturemagazine.it\/eng\/arnfinn-johansen-tra-la-neve-e-la-savana\/","title":{"rendered":"Arnfinn Johansen: Tra la neve e la savana"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><strong><em>Una delle carriere pi\u00f9 premiate della fotografia naturalistica si svolge tra due forme di luce: il sottile silenzio azzurro dell\u2019Artico e la polvere rossa del Maasai Mara al tramonto. Dalla sua casa tra le montagne della Norvegia meridionale, Arnfinn Johansen ha trascorso decenni immobile nella neve come nella savana, aspettando il secondo esatto in cui la luce selvaggia diventa immagine.<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Da Lillehammer, tra le montagne della Norvegia meridionale, <strong>Arnfinn Johansen<\/strong> ha costruito con discrezione una delle produzioni pi\u00f9 premiate della fotografia naturalistica contemporanea, seguendo i ritmi della natura e non i propri. Fotografa il mondo naturale dal 1980, ma ha iniziato a partecipare ai concorsi internazionali soltanto nel 2011. I risultati sono arrivati subito: quell\u2019anno \u00e8 stato nominato Nordic Nature Photographer of the Year, grazie all\u2019immagine di un orso bruno che emerge dalla nebbia del mattino. Preparazione, disciplina e pazienza, insieme alla capacit\u00e0 di assumersi un rischio esattamente nel momento giusto, sono le qualit\u00e0 sulle quali si fonda la sua fotografia e che lo hanno portato dalle montagne norvegesi ai vertici della sua professione. Il suo primo territorio \u00e8 il Nord. Membro eletto della Norwegian Nature Photographers Association, con immagini distribuite dall\u2019agenzia <strong>NTB Scanpix<\/strong>, Johansen ha trascorso decenni tra le volpi artiche di Dovrefjell, gli orsi polari e i trichechi delle Svalbard, le scogliere popolate dagli uccelli marini di <strong>Horn\u00f8ya<\/strong>, le aquile di mare dalla coda bianca di Flatanger e gli orsi bruni e i lupi delle foreste boreali lungo il confine finlandese. Sono fotografie costruite sulla sottrazione: luce tenue, silenzio bianco, un solo animale scuro a occupare l\u2019inquadratura, e il carattere inconfondibile di un uomo che sa aspettare. Quell\u2019attesa ha trovato la sua ricompensa in una notte di aprile del 2021, sull\u2019altopiano montano di <strong>R\u00f8rosvidda<\/strong>, quando due lepri selvatiche si affrontarono nell\u2019oscurit\u00e0 della stagione degli amori. Wild Mountain Hares Fighting ha conquistato il Grand Prize del ventesimo concorso fotografico di Smithsonian Magazine, scelto tra oltre 32.000 immagini di quasi 7.000 fotografi provenienti da 190 Paesi. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c8 il vertice di un palmar\u00e8s notevole: un primo premio nazionale ai Sony World Photography Awards e una menzione nello stesso concorso tra 200.000 immagini; una vittoria di categoria a Por el Planeta in Messico; numerosi riconoscimenti al GDT European Wildlife Photographer of the Year; e per due volte la presenza nella classifica dei dieci migliori fotografi naturalistici del mondo di One Eyeland. Il suo secondo territorio si trova seimila chilometri pi\u00f9 a sud, dove la neve lascia spazio alla savana. Il Maasai Mara, in Kenya, \u00e8 diventato l\u2019altro terreno di lavoro di Johansen e nel 2017 il fotografo ha realizzato qualcosa che pochi professionisti tentano: ha ideato il concept fotografico di Oltepesi Tented Safari Camp, un eco-camp nel Mara concepito da un fotografo per i fotografi, costruito intorno alla luce, alle angolazioni e alle possibilit\u00e0 di accesso pi\u00f9 che al semplice comfort. Da qui sono nate alcune delle immagini africane che hanno consolidato la sua reputazione: la testa di un leone che emerge dalla notte equatoriale, la grande migrazione degli gnu che attraversa il fiume e The Leopard Tree, un\u2019acacia in controluce che sostiene il leopardo addormentato come un respiro trattenuto. L\u2019Italia, va detto, si \u00e8 accorta presto di lui. Le giurie italiane hanno premiato pi\u00f9 volte il suo lavoro, ai Siena International Photo Awards, ad Asferico e a Oasis, mentre nel 2023 The Leopard Tree \u00e8 stata proclamata vincitrice assoluta del BioPhotoContest. Le sue stampe sono state esposte al Teatro Giacosa di Ivrea e al Photo Vogue Festival di Milano, oltre che al National Museum of Natural History dello Smithsonian a Washington, alla Royal Geographical Society e a Somerset House a Londra, all\u2019Iziko South African Museum e al Natural History Museum di Oslo. Ci\u00f2 che distingue la fotografia di Johansen non \u00e8 lo spettacolo, ma l\u2019intimit\u00e0.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>Arnfinn Johansen \u00e8 un fotografo naturalista che lavora tra l\u2019Artico e il Maasai Mara in Kenya, dove ha ideato il concept fotografico dell\u2019Oltepesi Tented Safari Camp. Vincitore del Grand Prize del concorso fotografico di Smithsonian Magazine, \u00e8 stato premiato da Sony, GDT e Siena. Collabora con Vital Impacts e Remembering Wildlife e le sue immagini sono esposte in tutto il mondo, da Washington a Milano.<\/strong><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"4466\" src=\"https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201711-Kenya-8617-Arnfinn_Johansen-1024x683.jpg\" alt=\"\" class=\"wp-image-4466\" srcset=\"https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201711-Kenya-8617-Arnfinn_Johansen-1024x683.jpg 1024w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201711-Kenya-8617-Arnfinn_Johansen-300x200.jpg 300w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201711-Kenya-8617-Arnfinn_Johansen-768x512.jpg 768w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201711-Kenya-8617-Arnfinn_Johansen-1536x1024.jpg 1536w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201711-Kenya-8617-Arnfinn_Johansen-2048x1365.jpg 2048w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201711-Kenya-8617-Arnfinn_Johansen-18x12.jpg 18w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"4468\" src=\"https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201705-Kenya-9374-Arnfinn_Johansen-1024x683.jpg\" alt=\"\" class=\"wp-image-4468\" srcset=\"https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201705-Kenya-9374-Arnfinn_Johansen-1024x683.jpg 1024w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201705-Kenya-9374-Arnfinn_Johansen-300x200.jpg 300w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201705-Kenya-9374-Arnfinn_Johansen-768x512.jpg 768w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201705-Kenya-9374-Arnfinn_Johansen-1536x1024.jpg 1536w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201705-Kenya-9374-Arnfinn_Johansen-2048x1365.jpg 2048w, https:\/\/overturemagazine.it\/wp-content\/uploads\/2026\/10\/201705-Kenya-9374-Arnfinn_Johansen-18x12.jpg 18w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Una delle carriere pi\u00f9 premiate della fotografia naturalistica si svolge tra due forme di luce: il sottile silenzio azzurro dell\u2019Artico [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4326,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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